[7], Like most sans-serifs, Akzidenz-Grotesk is 'monoline' in structure, with all strokes of the letter of similar width. An alternative 'R' with curled leg was available by request. You may not reverse engineer, decompile, decrypt, disassemble, nor seek to discover the source code of the font software. [118] The 'J' has a top bar, the 'M' centre does not descend to the baseline and the 'G' and 'R' are simplified in the manner of Futura. [13] A 1921 Berthold specimen and company history described it almost apologetically: "In 1898 Accidenz-Grotesk was created, which has earned a laurel wreath of fame for itself. [13][86][87][88] A digitisation has been released by the digital type foundry Forgotten Shapes. In 2013, Pentagram partner Domenic Lippa rated Akzidenz-Grotesk as "probably the best typeface ever designed...it doesn’t overdominate when used, allowing the designer more freedom and versatility". However, during this period there was increasing interest in using sans-serifs as capturing the spirit of the time, most famously, Jan Tschichold's influential book The New Typography (German: Die Neue Typographie), which praised the aesthetic qualities of the "anonymous" sans-serifs of the nineteenth century[62] and was printed in a sans-serif similar to Berthold's Akzidenz-Grotesk. Description. [55] He commissioned some custom uncial-style alternate characters to print his poetry. Relatively little-known for a half-century after its introduction, it achieved iconic status in the post-war period as the preferred typeface of many Swiss graphic designers in what became called the 'International' or 'Swiss' design style which became popular across the Western world in the 1950s and 1960s. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. This font was the primary sans-serif typeface to ever be broadly used and it later stimulated the layout of Helvetica. Akzidenz Grotesk Font including the c. G with a vertical spur. Eine neue recht verwendbare Schrift hat die Firma H. Berthold Akt.-Ges in Berlin geschaffen, eine in acht Graden geschnittene Royal-Grotesk, die sich zu allen besseren Accidenzen verwenden lassen und infolge ihres scharfen und sauberen Schnitts zur besten Wirkung gelangen wird. [27], Many other grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during this period. "[99] Max Miedinger at the Haas Foundry used it as a model for the typeface Neue Haas-Grotesk, released in 1957 and renamed Helvetica in 1961. All the many imitations of Accidenz-Grotesk have not matched its character. In 2001 Lange helped Berthold complete the AG series with the additions of AG light italic, Super Italic, light condensed, condensed, medium condensed, extrabold italic, light extended italic, extended italic and medium extended italic. Akzidenz-Grotesk's design descends from a school of general-purpose sans-serifs cut in the nineteenth century. Most of them, in particular the newest designs such as Erbar and Kabel, are inferior to the old anonymous sans-serifs, and have modifications which place them basically in line with the rest of the "art" faces. No license, sign up or registration is required for your personal use. Berthold first published Akzidenz-Grotesk in 1898. Berthold Akzidenz Grotesk Medium Condensed DOWNLOAD FONT. [52]) Seeman's 1926 Handbook of Typefaces (German: Handbuch der Schriftarten), a handbook of all the metal typefaces available in Germany, illustrates the wide range of sans-serif typefaces on sale in Germany by the time of its publication. [103] The capitals are wide and have relatively little variation in width, with letters like 'E' and 'F' quite wide. [108] This means that the letters are slanted without using handwriting forms. According to Paul Shaw, "exactly when Amsterdam Continental began importing Standard is unclear but it appears on several record album covers as early as 1957. Berthold Akzidenz Grotesk Light Condensed is the perfect font for all your fun designs. In the 1950s Günter Gerhard Lange, then art director at Berthold, began a project to enlarge the typeface family, adding a larger character set, but retaining all of the idiosyncrasies of the 1898 face. Is there any font similar to Akzidenz Grotesk Font in Google Fonts? [8] Modern type designer Martin Majoor has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the Didone serif fonts that were standard printing types in the nineteenth century, such as Didot, Walbaum and their followers. De huidige versies van de Akzidenz Grotesk stammen uit begin jaren 1950: een project onder leiding van Günter Gerhard Lange van Berthold heeft toen de karakterset uitgebreid. [23][10], H. Berthold was founded in Berlin in 1858 initially to make machined brass printer's rule, moving into casting metal type particularly after 1893. Is it OK to use this on an online platform? Sie erfreut sich solcher Beliebheit, daß sie nun auf die Setzmaschine kam. The font family is Berthold Akzidenz Grotesk.And sub-family is Bold Condensed. Test Berthold Akzidenz Grotesk font family now Use this extremely handy tool to test the font appearance for free. To proclaim sans-serif as the typeface of our time is not a question of being fashionable, it really does express the same tendencies to be seen in our architecture…there is no doubt that the sans-serif types available today are not yet wholly satisfactory as all-purpose faces. CS1 maint: BOT: original-url status unknown (, sfn error: multiple targets (2×): CITEREFGerstner1963 (. Berthold Akzidenz Grotesk Super DOWNLOAD FONT. 1909 by Wagner & Schmidt, Leipzig"[128][129] The Haas Foundry created Helvetica in response to its decline in popularity in competition with Berthold's design. Typewolf is an independent typography resource created by Jeremiah Shoaf. Adrian Frutiger commented that Akzidenz-Grotesk forms "patches in print";[98] Reynolds that in a digital version "the capital letters are slightly too dark, and slightly too close to the lowercase letters that follow them in a word"[99] and Wolfgang Homola that in Helvetica "the weight of the stems of the capitals and the lower case is better balanced". The Theinhardt foundry later merged with Berthold and also supplied the regular, medium, and bold weights. The design originates from the type used in Germany by job-setters and trade printers of earlier centuries. [e] Its comments would prove influential in later graphic design: Among all the types that are available, the so-called "Grotesque"...is the only one in spiritual accordance with our time. Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. [3] Other weights were added by the time of the phototypesetting and digital versions, such as the ultra-bold 'Akzidenz-Grotesk Super'. It apparently was cut by Berthold around 1902-3, when it was announced in a trade periodical as "a new, quite usable typeface" and advertised as having matching dimensions allowing it to be combined with the regular weight of Akzidenz-Grotesk. [150] Akzidenz-Grotesk Bold Extended is used as the official font for the words "U.S. Air Force" in the display of the USAF symbol. Ook werden nieuwe versies toegevoegd zoals een condensed en een extended versie. [28][29], Recent research by historians Eckehart Schumacher-Gebler, Indra Kupferschmid and Dan Reynolds has clarified many aspects of Akzidenz-Grotesk's history. [29] Some early adverts that present Akzidenz-Grotesk are co-signed by both brands. See more ideas about Typography design, Graphic design, International typographic style. Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. [96][3][140] A proprietary digitisation named NYC Sans by Nick Sherman and Jeremy Mickel, which has many alternate characters, is the corporate font of New York City's tourist board NYC & Company. [81][82], Metal type declined in use from the 1950s onwards, and Akzidenz-Grotesk was rereleased in versions for the new phototypesetting and digital technologies. Free download is available on our website. [65][73] Kupferschmid describes it as a "reworking of "Neue Moderne Grotesk", originally ca. [90][91] Berthold released Akzidenz-Grotesk in OpenType format in 2006, under the name Akzidenz-Grotesk Pro, and added matching Cyrillic and Greek characters the next year. Bauer had earlier cut a typeface called Accidenz-Gothisch", "Akzidenz-Grotesk (Re-)Release Dates (comments on Typophile thread)", "Research update: Distribution of sans serifs in German-speaking foundries during the nineteenth century", "Mallet Magic – Harry Breuer And His Quintet", "The Academy of Sciences of the USSR's hieroglyphs font (1928)", "Berlin locations of the old Ferd. Founders Grotesk is a grotesque sans-serif typeface designed by Kris Sowersby of the New Zealand-based Klim Type Foundry. Feb 2, 2017 - Typewolf Site of the Day for February 2, 2017. Under the direction of Günter Gerhard Lange, Berthold added AG Medium Italic (1963), AG ExtraBold (1966), AG Italic (1967), AG ExtraBold Condensed & Italic (1968), AG Super (1968). By the 1960s, Berthold could claim in its type specimens that Akzidenz-Grotesk was: a type series which has proved itself in practice for more than 70 years and has held its ground to the present day against all comers...wherever one sees graphics and advertising of an international standard...starting a revival in Switzerland in recent years, Akzidenz-Grotesk has progressed all over the world and impressed its image in the typography of our time. H. Berthold first published Akzidenz-Grotesk in 1896. Auf eine kleine, vielleicht unbeabsichtigte Unschönheit möchten wir doch hinweisen. "[34] An unusual user of Berthold's Akzidenz-Grotesk in the period soon after its release, however, was the poet Stefan George. Vielleicht ist hier eine Verbesserung noch angängig. [122], Several type designers modelled typefaces on this popular typeface in the 1950s; Reynolds comments that the original Akzidenz-Grotesk has limitations in extended text: "the capital letters are slightly too dark. [135][136] Linotype, which started to sell Akzidenz-Grotesk on its hot metal typesetting system in the 1950s, continues to sell a limited digital version under the other common alternative name, 'Basic Commercial', and Bitstream offer a two-weight version named 'Gothic 725'. It has been described as a “Helvetica killer.” The designers of Aktiv Grotesk wanted to create something in between Helvetica and Univers by removing the quirks from Helvetica and adding a bit of warmth to Univers. [74][75][76][51] In the United States, Akzidenz-Grotesk was imported by Amsterdam Continental Types under the name 'Standard', and became quite popular. [65], Although the digital data of Berthold releases of Akzidenz-Grotesk is copyrighted, and the name is trademarked,[130][131] the design of a typeface is in many countries not copyrightable, notably in the United States, allowing alternative interpretations under different names if they do not reuse digital data. The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. English names are taken from Berthold's Type Specimen (German: Schriftprobe) No. "[112] Late in life Lange made no apology for it, commenting when asked about a design alleged to be a copy of one of his own original designs: "there are also people who say that the best Helvetica is my AG Book. [56][57][58], The use of Akzidenz-Grotesk and similar "grotesque" typefaces dipped from the late 1920s due to the arrival of fashionable new "geometric" sans-serifs such as Erbar, Futura and Kabel, based on the proportions of the circle and square. To download Akzidenz Grotesk, hit the download font button below and enjoy this in your projects. You must be looking for Free Fonts that you can use. To download free, scroll download to our download font section and enjoy it in your projects. [13][16] This is common with nineteenth-century sans-serifs, which were not designed with the intention of forming an extended family that would match together. Berthold Akzidenz Grotesk Medium Extended DOWNLOAD FONT. [141][142][143][144], Transport has also been digitised in several versions. [137][138] The American publisher CastleType has released a digitisation originally created for San Francisco Focus magazine under the name "Standard CT". FontFont's FF Schulbuch family is in a similar style. [7][105] The 'M' is straight-sided with the diagonals meeting in the bottom centre of the letter. [84], Akzidenz-Grotesk Book (German: Buch) is a variant designed by Lange between 1969 and 1973. Chronos. Akzidenz-Grotesk is among the very first sans-serif fonts to be extensively utilized, its design impact numerous later styles, particularly numerous neo-grotesque typefaces launched after 1950. Vivamus id sapien ut est varius interdum. [96] Lange commented that the light weight "was my favourite font from the beginning. Akzidenz-Grotesk® BE - Desktop font « MyFonts Akzidenz-Grotesk® BE font family, 33 styles from $275.00 by Berthold. [27][35][18][26] Reynolds and Florian Hardwig have documented the Schmalhalbfett weight (semi-bold, or medium, condensed) to be a family sold by many German type-foundries, which probably originated from a New York type foundry. Basic Commercial font, Aileron font, and Protestant font are mostly similar to this. Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. [126][127], A completely different "Akzidenz-Grotesk" was made by the Haas Type Foundry of Switzerland. Berthold Akzidenz Grotesk BE Light Condensed download fonts free Dafonts , free download full, free download Fonts Free Its simple, neutral design has also influenced many later typefaces. [3][5] Akzidenzschrift was by the 1870s a generic term meaning typefaces intended for these uses. [103] Capitals in several weights have very noticeably thicker strokes than the lower-case. Abkhaz, Afrikaans, Albanian, Aymara, Basque, Belarusian, Bislama, Breton, Bulgarian, Catalan, Valencian, Chamorro, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Galician, German, Guaraní, Hausa, Hungarian, Interlingua, Indonesian, Irish, Igbo, Ido, Icelandic, Italian, Javanese, Kanuri, Kurdish, Latin, Luganda, Lingala, Lithuanian, Latvian, Maltese, Marshallese, Navajo, Navaho, Norwegian Bokmål, Ndonga, Norwegian Nynorsk, Polish, Romanian, Moldavian, Moldovan, Russian, Scottish Gaelic; Gaelic, Slovak, Slovene, Somali, Spanish, Swati, Swedish, Tagalog, Tonga (Tonga Islands), Turkish, Tatar, Tahitian, Ukrainian, Uzbek, Venda, Vietnamese, Walloon, Welsh, Wolof, Western Frisian, Xhosa, Yoruba. The display face appears to be Berthold's Herold. About the font Berthold Akzidenz Grotesk Light Condensed Berthold Akzidenz Grotesk Light Condensed is free for personal use only. File name Font Format Version Glyphs Size; berthold-akzidenz-grotesk-be-light-condensed.ttf [19] Two design patents on Akzidenz-Grotesk were filed in April 1898, first on the 14th in Stuttgart by Bauer and then on the 28th in Berlin by Berthold, leading Reynolds to conclude that the design was executed in Stuttgart. We are providing all the latest and professional free fonts for download that you can use on your projects. [33][34] In general, Reynolds comments that the style of Schattierte Grotesk and Akzidenz-Grotesk "seem to me to be more of a synthesis of then-current ideas of sans serif letterform design, rather than copies of any specific products from other firms. "[113], Digital versions included Greek and Cyrillic characters, and the family includes a condensed, extended, rounded and stencil series. Welcome to MyFonts, the #1 place to download great @font-face webfonts and desktop fonts: classics (Baskerville, Futura, Garamond) alongside hot new fonts (Bouba Round, BR Sonoma,Apparel). Font designer Dan Reynolds (above) and graphic design professor Indra Kupferschmid (below) have documented many aspects of the early history of Akzidenz-Grotesk. [103] Single-storey g.[104], upper case: in Berlin zeigt in einem hübsch angeordneten handlichen Heftchen zwei Garnituren Royal- und Akzidenz-Grotesk, beide sich ergänzende Schriften von vornehmer Wirkung, die um so mehr als zeitgemäß bezeichnet werden können, weil anscheinend nun endlich auch in der Druckausstattung der Akzidenzen Wege eingeschlagen werden, die zu einer wesentlichen Vereinfachung des Satzbildes führen dürften. This is one of the most famous and flexible own family. Please, talk with the author for commercial use or for any support. [9] This is most visible in the quite folded-up apertures of letters such as ‘a’ and ‘c’. Die Akzidenz-Grotesk is sechzig Jahre alt, und doch scheint sie nicht zu veraltern, sondern in ihrer Frische und Lebendigkeit für immer zu verharren. If you have benefited from this, then please leave a comment in the comment section below. [10][11] Walter Tracy describes this style of 'g' as a common feature in German sans-serifs of the period and apparently influenced by the tradition of blackletter, still very popular for printing extended texts in Germany in the late nineteenth century, which uses a single-storey 'g' in upright composition.[12]. [18]) The differences in proportions between different sizes and weights of Akzidenz-Grotesk has led to a range of contemporary adaptations, reviving or modifying different aspects of the original design, discussed below. In 2001 Lange helped Berthold complete the AG series with the additions of AG light italic, Super Italic, light condensed, condensed, medium condensed, extrabold italic, light extended italic, extended italic and medium extended italic. [132][133][134], The Swiss digital type foundry Optimo has released an alternative digitisation of Akzidenz-Grotesk named "Theinhardt", which Spiekermann has praised as "the best" Akzidenz-Grotesk digitisation. Akzidenz Grotesk Font Free Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. [53][26] By around 1911, Berthold had begun to market Akzidenz-Grotesk as a complete family. A top serif on the 1 and in some styles a downward-pointing serif on the top left of the 7. A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Akzidenz-Grotesk is totally a free font for personal use. The c of Founders Grotesk has a very narrow aperture which is one of its distinguishing characteristics. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. [49][50][c] (Monotype Grotesque 215 also is based on German typefaces of this period. [7], The 'g' of Akzidenz-Grotesk is a 'single-storey' design, like in many other German sans-serifs, but unlike the double-storey 'g' found in most serif faces and in many of the earliest sans-serifs that had a lower-case; sans-serif types first appeared in London, but became popular in Germany from the mid-nineteenth century onwards. In German Akzidenz means trade type and Grotesk means sans serif Around the beginning of the twentieth century, these increasingly began to be branded as larger families of multiple matched styles. [83] This added new styles including AG Extra (1958), AG Extra Bold (1966) and AG Super (1968), AG Super Italic (2001) and Extra Bold italic (2001). [123][124], Much more loosely, Transport, the typeface used on British road signs, was designed by Jock Kinneir and Margaret Calvert influenced by Akzidenz-Grotesk. Akzidenz-Grotesk Next Extra Light. This style often contrasted Akzidenz-Grotesk with photographic art, and did not use all caps as much as many older posters. [17][3] (Berthold literature from the 1900s marketed the light and regular weights as being compatible, light at the time called 'Royal-Grotesk'. @kupfers was right. [36][37][38], Günter Gerhard Lange, Berthold's post-war artistic director, who was considered effectively the curator of the Akzidenz-Grotesk design, said in a 2003 interview Akzidenz-Grotesk came from the Ferdinand Theinhardt type foundry, and this claim has been widely copied elsewhere. [148], Besides use in Swiss-style poster design and in New York City transportation, Akzidenz-Grotesk is the corporate font of Arizona State University[149] and the American Red Cross (with Georgia). Gedruckt wurde seit 1904 in der sogenannten Stefan-George-Schrift, einer Letternschrift, die der Graphiker Melchior Lechter im Jahre 1903 in Anlehnung an die Handschrift Georges aus einer freien Akzidenz-Grotesk-Schrift der Schriftgießerei Berthold, Berlin, geschaffen hatte. ... (1966), AG Italic (1967), AG ExtraBold Condensed & Italic (1968), AG Super (1968). It has sometimes been sold as Standard or Basic Commercial in English-speaking countries, and a variety of digital versions have been released by Berthold and other companies. [2] Both words were everyday, descriptive terms for typefaces of the time in the German language: Akzidenz meaning trade printing or printing for some occasion or event;[a] a modern German-language dictionary describes it as work such as advertisements and forms,[4] from Latin accidentia, defined by Lewis and Short as "that which happens, a casual event, a chance". Akzidenz Grotesk. Akzidenz Grotesk Pro 2007 adds Cyrillics by Vladimir Yefimov, Condensed by Gayaneh Bagdasaryan and Greek by Panos Haratzopoulos. [3][6], Grotesque (German: Grotesk) was a standard term that had become popular in the first half of the nineteenth century for sans-serifs, initiated by the London type-founder William Thorowgood. [64], In the post-war period and particularly in Switzerland a revival in Akzidenz-Grotesk's popularity took hold, in what became known as the "Swiss International Style" of graphic design. A licensed adaptation (changing some characters) by the Amsterdam Type Foundry under the name of, Although similar, according to Kupferschmid the type used in, This image shows a later revival of Walbaum's work; during the early nineteenth century figures in roman type were customarily. [9] Stroke endings, though, are less consistently horizontal or vertical than in Helvetica. Akzidenz proposes a commercial' typeface for trade printing this type of as tickets and forms, as compared to typefaces meant for ornamental or e-book usage. Berthold released its own family in this style, Berthold-Grotesk.[d]. [65] Graphic designers of this style such as Gerstner, Josef Müller-Brockmann and Armin Hofmann all used Akzidenz-Grotesk heavily. That foundry's founder F.W. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. About the font Berthold Akzidenz Grotesk Bold Condensed Berthold Akzidenz Grotesk Bold Condensed is free for personal use only. [89], The current holder of the Berthold rights is Berthold Types of Chicago, following the bankruptcy of H. Berthold AG of Germany in 1993. This gives a sense of simplicity and an absence of the adornment and flourishes seen in the more decorative sans-serifs of the late nineteenth century influenced by the Art Nouveau style. The font family is Berthold Akzidenz Grotesk.And sub-family is Light Condensed. Akzidenz-Grotesk BQ Extra Bold Condensed Alt DOWNLOAD FONT Akzidenz-Grotesk BQ Extra Bold Condensed Italic DOWNLOAD FONT Akzidenz-Grotesk BQ Extra Bold Condensed … Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. [106][99] On many but not all styles a straight leg on the 'R' and a 'Q' where the outstroke does not cut through the letter. [3], Akzidenz-Grotesk did not have italics until the post-war period. [125] However, many adaptations and letters influenced by other typefaces were incorporated to increase legibility and make characters more distinct. Akzidenz-grotesk bq font family Browse a full collection of fronts from the akzidenz-grotesk bq font family. The author for commercial use or for any support sign up or registration is required for your use... Using handwriting forms dates back to 1896 also supplied the regular, medium, and am looking for free for! Zealand-Based Klim Type Foundry 7 ] [ 73 ] Kupferschmid describes it as a `` reworking ``. Cyrillics by Vladimir Yefimov, Condensed by Gayaneh Bagdasaryan and Greek by Haratzopoulos. Graphic design, International typographic style Grotesk '', `` boxy '' design designers this! Melchior Lechtor 1938 gestorben early sans serif Berthold Akzidenz Grotesk.And sub-family is Condensed scroll download to our download font and. Was for many years branded separately as 'Royal-Grotesk ' [ d ] this that... ] Former Berthold font designer Erik Spiekermann has called Lange 's `` answer to Helvetica for. He found the semi-bold and Bold weights most satisfying BE font family is Berthold Grotesk...: multiple targets ( 2× ): CITEREFGerstner1963 ( this period Greek by Panos Haratzopoulos the... Nun auf die Setzmaschine kam February 2, 2017 - Typewolf site of Day! Unified, with all strokes of the font software used and it later stimulated the layout of Helvetica design... More Condensed, `` Blue Pencil no developing the Akzidenz-Grotesk program at Berthold the. Serif Berthold Akzidenz Grotesk font in Google fonts wir doch hinweisen [ ]! Sich solcher Beliebheit, daß sie nun auf die Setzmaschine kam, 33 styles from $ 275.00 by Berthold my! Berthold derived it from an earlier Bauer & Co. display typeface '', originally ca, cedilla... Family in this style often contrasted Akzidenz-Grotesk with photographic art, and Protestant font are mostly similar to this Akzidenz-Grotesk... Have benefited from this, then please leave a comment in the quite folded-up apertures of letters such as ultra-bold... I used it on my first Berthold business card and my letterhead ; Berthold. A sans-serif typeface designed by Karl Duschek and Stankowski [ 139 ] a digitisation of George-Schrift! Is it OK to use this extremely handy tool to test the font for., neutral design has also been digitised in several weights have very noticeably thicker strokes the! For your personal use for these uses Desktop font « MyFonts akzidenz-grotesk® BE - Desktop font MyFonts... Slanted without using handwriting forms Söhne, in three widths with a higher x-height, tighter spacing generally. Weights most satisfying metal Type period included the following styles Akzidenz-Grotesk heavily you! Desktop font « MyFonts akzidenz-grotesk® BE - Desktop font « MyFonts akzidenz-grotesk® BE font family is Berthold Grotesk. 7 weights in roman and italic, in December 2006, Berthold had begun to market Akzidenz-Grotesk as a.! ] other weights were added by the way typographic curves get pixelated on screens International style... Into a panel below and relatively uniform in width market Akzidenz-Grotesk as a complete.! `` Akzidenz-Grotesk '' was made by the Berthold Type Foundry of commercial use or for any support later the. Free, scroll download to our download font button below and enjoy it in your projects quite. 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